Article L211-2
The issue of a licence is subject to the payment of a fee to the Centre national du cinéma et de l'image animée. This fee is proportional to the duration of the cinematographic work for which the lice…
20+ full codes, 2,400+ articles translated and updated. Case law linked to every article. Read the actual text before you ask a lawyer about it — free, no login required.
20+
french codes
Fully translated
2,400+
articles in English
Updated regularly
480+
court rulings linked
Per article
Free
full access
No login required
Showing 2711–2720 of 68985 articles for “Art. 515-1 and 515-2”
The issue of a licence is subject to the payment of a fee to the Centre national du cinéma et de l'image animée. This fee is proportional to the duration of the cinematographic work for which the lice…
The implementation of the programming commitments mentioned in 1° and 2° of article L. 212-23 is examined by the Film Ombudsman under the conditions set out in article L. 213-5.The Chairman of the Cen…
…he Centre national du cinéma et de l'image animée is :1° To observe developments in the professions and activities of the cinema and other arts and industries of the moving image, their technical, leg…
…n the average price of single tickets sold by the exhibitor, the situation of the exhibition market and the observed and expected effects of the access formula.The reference price serves as the basis…
The purpose of film programming commitments is to ensure the diversity of film offerings and the widest possible distribution of cinematographic works in the public interest.
…duction account, the definition of the different categories of expenditure that make up the account and the nature of the means of financing are determined by a professional agreement concluded betwee…
…he same code to the agents of the Centre national du cinéma et de l'image animée of all information and documents required to assess the rights or performance of obligations that fall within the scope…
…nt, the definition of the different categories of expenditure, the nature of the means of financing and the methods of amortisation of the cost of production are determined by one or more professional…
Any producer who, in his capacity as line producer, has taken the initiative and financial, artistic and technical responsibility for the production of a feature-length cinematographic work eligible f…
…are not taken into account when calculating entitlement to automatic aid.The aforementioned works and documents and the cinemas where they are shown are not eligible for any selective aid.Cinematogr…
Avocate au Barreau de Paris
Toque #C2396
15+ Years In French Corporate Practice
English · French · Russian
Ready When You Are
A 20–30 minute call, in English, to scope the engagement. No obligation, no preliminary fee. You will leave the call with a clear view of what the work will cover and what it will cost.
20+ full codes and 2,400+ articles in English, with the key court rulings linked to every article — free to read.
Read MoreA lawyer-reviewed report explaining how the relevant articles apply to your situation, with case-law analysis and next steps.
Read MoreScope your matter with a Paris-Bar avocate — incorporation, contracts, disputes — handled bilingually, end to end.
Read More