Article R351-21
Surplus funds consist of accumulated profits which have not yet been made available for distribution to policyholders, contract beneficiaries and reinsured undertakings. These surplus funds are not co…
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Showing 4351–4360 of 48199 articles for “Art. Cass. 3e civ. 22 May 1968 · Cass. 3e civ. 25 January 1983 · Cass. com. 21 March 1995 · Cass. 3e civ. 29 May 1991 · Cass. 3e civ. 27 June 1990 · Cass. ass. plén. 6 October 2006 · Cass. ass. plén. 13 January 2020”
Surplus funds consist of accumulated profits which have not yet been made available for distribution to policyholders, contract beneficiaries and reinsured undertakings. These surplus funds are not co…
Compensation payable under the provisions of Article L. 421-8 of the Insurance Code to victims of accidents which give rise to personal injury or to their dependants shall be paid by the guarantee fun…
Each year, the insurer calculates the amount of the theoretical mathematical reserve that would be required to ensure the payment of immediate and deferred life annuities on the basis of the service v…
The reading committees are made up of the committee chairman, the vice-chairman of the relevant college, two full members of that college and four readers chosen from a list drawn up by the Chairman o…
The same project cannot, for the same expenses, benefit from both scriptwriting grants and other grants awarded by the Centre national du cinéma et de l'image animée.
Screenplay rewriting grants are intended for projects presented in the form of a dialogue continuity for which additional writing work is required.
Screenwriting grants are intended for projects presented in the form of a synopsis, developed synopsis or treatment.
A project that has received scriptwriting support is not eligible for script rewriting support.
The same project cannot, for the same expenses, benefit from both script rewriting grants and other grants awarded by the Centre national du cinéma et de l'image animée.
Project development grants are awarded on the basis of the quality of the projects, their artistic ambition and their viability, as well as the experience and results of the production companies and t…
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