Article 621-4
The award of financial aid for the production of cinematographic or audiovisual works using digital visual effects is subject to the provisions of Commission Regulation (EU) No 651/2014 of 17 June 201…
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Showing 3321–3330 of 41666 articles for “Art. Décret 55-22 du 4 janvier 1955”
The award of financial aid for the production of cinematographic or audiovisual works using digital visual effects is subject to the provisions of Commission Regulation (EU) No 651/2014 of 17 June 201…
…y are of particular heritage interest and are intended for public distribution;2° They have been produced and directed under the following conditions:a) For cinematographic works of talking pictures,…
Selective grants are awarded to help cover the cost of producing cinematographic and audiovisual works using animation techniques, corresponding to work carried out in France by companies established…
The aid is awarded in the form of a grant. The aid is the subject of an agreement with the beneficiary.
To be eligible for aid for the promotion of cinematographic works abroad, companies must meet the following conditions:1° Be established in France;2° Have chairmen, directors or managers, as well as t…
Complementary aid is awarded to the production company designated as the beneficiary by agreement between the co-production parties. This company must be established in a country located in the Africa…
…mainly devoted to the programmes mentioned in V of article 1609 sexdecies B of the General Tax Code;4° Comply with the obligations to which the services are subject under the provisions of Chapters I…
…technical quality and innovative nature of the project; 3° The integration of environmental issues; 4° The consistency of the budget and the business model; 5° The company's ability to see the project…
To be eligible for aid for the promotion of audiovisual works abroad, companies must meet the following conditions:1° Be established in France;2° Have chairmen, directors or managers, as well as the m…
…o a mission of general interest for the technical sectors of the film, audiovisual and video game industries; 2° The relevance of the format, theme, choice of participants and quality of programming;…
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