Article 232-12
The training courses cover:1° The use, upkeep and maintenance of digital projection equipment;2° Catering for the disabled;3° The use of new tools and methods relating to data processing, electronic c…
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Showing 4471–4480 of 10638 articles for “Art. Euronext Warrant segment rules”
The training courses cover:1° The use, upkeep and maintenance of digital projection equipment;2° Catering for the disabled;3° The use of new tools and methods relating to data processing, electronic c…
Aid for the distribution of works intended for young audiences is awarded for the distribution of cinematographic works for which the distribution expenses mentioned in article…
If the activity of one or more cinemas is transferred to a new cinema located in the same urban area and operated by the same operator during the reference period, the classification is carried out an…
The "young audience" label (JP) is awarded in particular in consideration of: 1° The number of art house cinematographic works represented in establishments qualified as "young audience". The list of…
The decision to grant aid is taken after consultation with the Commission des aides à la programmation difficile.
Structural grants are awarded to help cover the following expenses:1° Salaries paid to staff responsible for programming, administrative and accounting management and audience development, hired on fi…
Structural aid is subject to compliance with Commission Regulation (EU) No 1407/2013 of 18 December 2013 on the application of Articles 107 and 108 of the Treaty on the Functioning of the European Uni…
For the application of the multiplying factors, only cinemas in cinemas with an average of at least 32 weeks of activity per year during the reference period are taken into account.By way of derogatio…
The aid is granted to operators of art house cinemas in operation at the time of notification of the decision to grant the aid.In the event of a change of operator during the reference period or betwe…
The authors must have proven artistic experience or training. If there is more than one author, at least one of them must provide proof of this artistic experience or training.
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