Article 311-46
…al adaptation of live performances, where the sums calculated exceed a ceiling corresponding to one and a half times the amount of the cash contribution from the television service publisher(s) or the…
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Showing 6501–6510 of 56760 articles for “Art. n°² 96-17.280 and 97-13.423”
…al adaptation of live performances, where the sums calculated exceed a ceiling corresponding to one and a half times the amount of the cash contribution from the television service publisher(s) or the…
The sums calculated, capped where applicable for works belonging to the audiovisual adaptation of a live performance genre, are not actually entered on the automatic audiovisual production account unl…
…Centre national du cinéma et de l'image animée may decide, depending on the progress of the project and the proof of expenditure provided by the production company, either to request repayment of the…
In the event of a dispute or difficulty of interpretation as to whether an audiovisual work belongs to a particular genre, the President of the Centre national du cinéma et de l'image animée may consu…
A specialised committee is responsible for giving an opinion on applications for selective financial aid for music video production.This committee is made up of twelve members, including a chairman, a…
The award of financial aid for the preparation and development of audiovisual work projects is subject to the provisions of Commission Regulation (EU) No 651/2014 of 17 June 2014 declaring certain cat…
The beneficiary of a concept grant has three months from the date of the decision to award the grant to submit the formalised version of the project to the Centre national du cinéma et de l'image anim…
…works, or which are only incidental thereto, are not eligible for financial support for production and preparation.
…must not be or have been the subject of:1° An application for production aid under these provisions and under the provisions relating to aid for the production of immersive works;2° An application for…
…s for at least two distinct modes of exploitation, at least for the territory of the European Union and for a minimum period of five years. This minimum term is reduced to three years for audiovisual…
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