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Showing 121–130 of 62261 articles for “Art. L 212-1 et seq.”
I. - Where the performer has transferred all or part of his exploitation rights, the assignee shall send him or make available to him by an electronic communication process, at least once a year, expl…
The contract concluded between the performer and the phonogram producer sets a guaranteed minimum remuneration in return for authorising the fixation, remunerated in the form of a salary, of the perfo…
In the event of notorious abuse in the non-use by a phonogram producer of the exploitation rights that have been assigned to him, the competent civil court may order any appropriate measure..
Where the contract concluded between a performer and a phonogram producer provides for the direct payment by the producer of remuneration which is a function of the receipts from exploitation, the pho…
The granting of the approval provided for in article L. 212-19 is subject to the approval by the President of the Centre national du cinéma et de l'image animée of the programming commitments mentione…
I.-The approval provided for in 1° and 2° of article L. 212-23 is issued by the President of the Centre national du cinéma et de l'image animée on the basis of the compliance of programming commitment…
The implementation of the programming commitments mentioned in 1° and 2° of article L. 212-23 is examined by the Film Ombudsman under the conditions set out in article L. 213-5.The Chairman of the Cen…
For the purposes of this section, the following are cinema programming commitments 1° Commitments made by the programming groups or agreements mentioned in article L. 212-19 and approved by the Presid…
Within the framework of the principles defined in article L. 212-6, the commission départementale d'aménagement cinématographique decides on the following two criteria: 1° The potential effect on the…
The rules governing the creation of preference shares are set out in Articles L. 228-11 to L. 228-20 of the French Commercial Code.
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