20+ full codes, 2,400+ articles translated and updated. Case law linked to every article. Read the actual text before you ask a lawyer about it — free, no login required.
20+
french codes
Fully translated
2,400+
articles in English
Updated regularly
480+
court rulings linked
Per article
Free
full access
No login required
Showing 3711–3720 of 63666 articles for “Art. L 224-28 and L 224-40”
Any distributor who, in his capacity as assignee or agent, has exploitation rights for the marketing of an audiovisual work in the genres of fiction, animation, creative documentary or audiovisual ada…
The sums referred to in article L. 312-1 to which production companies may be entitled as a result of the exhibition of a given long-term cinematographic work are allocated by priority, according to t…
The Cinema Mediator is responsible for the prior conciliation of any dispute relating to : 1° Access to cinematographic works by exhibitors of cinematographic establishments and access to cinematograp…
When a professional agreement, made compulsory on the basis of Article L. 132-25 of the Intellectual Property Code, as it stood prior to Law 2016-925 of 7 July 2016 on the freedom of creation, archite…
The screenings mentioned in 4° of…
The form of the operating account, the definition of gross receipts and operating costs and the conditions under which the opposable commission is negotiated are determined by one or more professional…
Where, for one or more of the modes of exploitation, the line producer directly exploits an audiovisual work, he shall draw up the corresponding exploitation account in accordance with sub-section 1 o…
In the event of non-compliance by the beneficiary of the operation with the obligations imposed on it by the Commission de protection de l'accès aux œuvres (Commission for the Protection of Access to…
The allocation of financial aid from the Centre national du cinéma et de l'image animée is subject to the inclusion in the contracts concluded with the authors of cinematographic and audiovisual works…
The sums to which production companies are entitled as automatic aid for the production of long-term cinematographic works are non-transferable and non-seizable. These sums may only be allocated for t…
Avocate au Barreau de Paris
Toque #C2396
15+ Years In French Corporate Practice
English · French · Russian
Ready When You Are
A 20–30 minute call, in English, to scope the engagement. No obligation, no preliminary fee. You will leave the call with a clear view of what the work will cover and what it will cost.
20+ full codes and 2,400+ articles in English, with the key court rulings linked to every article — free to read.
Read MoreA lawyer-reviewed report explaining how the relevant articles apply to your situation, with case-law analysis and next steps.
Read MoreScope your matter with a Paris-Bar avocate — incorporation, contracts, disputes — handled bilingually, end to end.
Read More
