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Showing 251–260 of 68646 articles for “Art. s. L 212-1 s. and L 241-1”
In order to grant the authorisation provided for in article L. 212-27, the President of the Centre national du cinéma et de l'image animée must ensure, on the basis of measurable economic data, in par…
The following projects are subject to authorisation:1° The creation of a multiple-screen cinema with more than 300 seats, resulting either from a new building or the conversion of an existing building…
The purpose of film programming commitments is to ensure the diversity of film offerings and the widest possible distribution of cinematographic works in the public interest.
Control of receipts from the exploitation of cinematographic or audiovisual works and documents in cinematographic entertainment establishments is organised under the following conditions: 1° Exhibito…
The detailed rules for the application of this section shall be laid down by regulation.
…ce for the operator of a cinema to offer a spectator, irrespective of the terms of the offer, the sale of an admission ticket to a cinema screening: 1° Either combined, with or without a price supplem…
Admission to a film show organised by the operator of a film theatre is an individual right. Pricing is organised by category in accordance with procedures laid down by regulation. Except by way of de…
When requesting the approval of an access formula in application of article L. 212-27, any cinema exhibitor who achieves more than 25% of admissions or takings in a given catchment area or more than 3…
I.-The fixation of the performer's performance, its reproduction and communication to the public, as well as any separate use of the sound and image of the performance when it has been fixed for both…
Performers have the right to respect for their name, their status and their performance. This inalienable and imprescriptible right is attached to their person. It is transmissible to their heirs for…
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